APSU Center for Creative Arts helps restore sculpture on campus
CLARKSVILLE, Tenn. 鈥 In 1985, a young Austin Peay State University art student named Mike Andrews used rebar, chicken wire and a bit of concrete to create a dazzling sculpture titled 鈥淟ight Modulator.鈥 The piece was a bright white, and it was designed to interact with the movement of the sun, playing with both light and shadow.
CLARKSVILLE, Tenn. 鈥 In 1985, a young Austin Peay State University art student named Mike Andrews used rebar, chicken wire and a bit of concrete to create a dazzling sculpture titled 鈥淟ight Modulator.鈥 The piece was a bright white, and it was designed to interact with the movement of the sun, playing with both light and shadow.
The sculpture was placed on a small, grassy hill outside the University鈥檚 Kimbrough Building, where it sat for almost three decades exposed to not only the sun, but also strong winds, downpours and numerous ice and snow storms. By last spring, 鈥淟ight Modulator鈥 was a dented, dingy gray slab of concrete that appeared to be sinking into the earth.
鈥淭he soil built up about six inches around the base,鈥 Christopher Burawa, director of the APSU Center of Excellence for the Creative arts, said. 鈥淚t was looking worn and grimy, with moss and lichen growing up it.鈥
That鈥檚 no way to treat a gift, much less a work of art. So Burawa contacted Andrews about restoring the piece, and on a muggy afternoon in late May, the two men visited the sculpture armed with shovels, a pressure-washer and a bag of concrete. Now a seemingly new, blazing white public art piece sits atop that small hill.
鈥淚t was just weathering, with moss growing up on it,鈥 Andrews said. 鈥淚 studied (Japanese-American sculptor) Isamu Noguchi, who said once you finished a piece, it takes on a life of its own. It evolves into whatever it becomes. I like that philosophy and appreciate it. But some pieces, it just doesn鈥檛 work with. 鈥楲ight Modulator鈥 needed to be cleaned.鈥
The APSU Center of Excellence paid for the cleaning and the materials, and Burawa said marble chips will be placed around the sculpture鈥檚 base. The little hill will also be landscaped, giving the piece a more pleasing setting.
鈥淚 felt that we had to do something because we鈥檙e the stewards of these pieces,鈥 Burawa said. 鈥淲e really have to insure that they鈥檙e kept up and maintained. These are things that add to the environment of the University.鈥
For more information on this project, contact the APSU Center of Excellence for the Creative Arts at 221-7876.
-30-
Photo cutline: Christopher Burawa, left, works with artist Mike Andrews to restore Andrew鈥檚 sculpture, 鈥淟ight Modulator.鈥